ΠΊΠ°ΠΊ ΠΎΠΏΡΠ΅Π΄Π΅Π»ΠΈΡΡ ΡΠΎΠ½Π°Π»ΡΠ½ΠΎΡΡΡ ΠΏΠ΅ΡΠ½ΠΈ ΠΏΡΠΈΠ»ΠΎΠΆΠ΅Π½ΠΈΠ΅
ΠΠΈΠ΄Π΅ΠΎ-ΠΈΠ½ΡΡΡΡΠΊΡΠΈΡ ΠΏΠΎ ΡΡΡΠ°Π½ΠΎΠ²ΠΊΠ΅ ΠΈ Π°ΠΊΡΠΈΠ²Π°ΡΠΈΠΈ KeyFinder v1.25
ΠΡΠ»ΠΈ Π²ΠΈΠ΄Π΅ΠΎ Π½Π΅ ΡΠ°Π±ΠΎΡΠ°Π΅Ρ, ΠΎΠ±Π½ΠΎΠ²ΠΈΡΠ΅ ΡΡΡΠ°Π½ΠΈΡΡ ΠΈΠ»ΠΈ ΡΠΎΠΎΠ±ΡΠΈΡΠ΅ ΠΎΠ± ΡΡΠΎΠΌ Π² ΠΊΠΎΠΌΠΌΠ΅Π½ΡΠ°ΡΠΈΡΡ , ΠΏΠΎΠΏΡΠ°Π²Π»Ρ.
ΠΠ±Π·ΠΎΡ KeyFinder
ΠΡΠ΅ΠΈΠΌΡΡΠ΅ΡΡΠ²Π° KeyFinder v1.25
Π‘ ΠΏΡΠΎΠ³ΡΠ°ΠΌΠΌΠΎΠΉ Π΄ΠΎΠ²ΠΎΠ»ΡΠ½ΠΎ ΠΏΡΠΎΡΡΠΎ ΡΠ°Π±ΠΎΡΠ°ΡΡ, ΡΡΠ΅Π±ΡΠ΅ΡΡΡ ΡΠΎΠ»ΡΠΊΠΎ ΡΠ°ΡΠΏΠ°ΠΊΠΎΠ²Π°ΡΡ Π°ΡΡ ΠΈΠ² ΠΈ Π·Π°ΠΏΡΡΡΠΈΡΡ ΡΠΎΠ΄Π΅ΡΠΆΠ°ΡΠΈΠΉΡΡ Π² Π½Π΅ΠΌ EXE-ΡΠ°ΠΉΠ», Π±Π΅Π· Π½Π΅ΠΎΠ±Ρ ΠΎΠ΄ΠΈΠΌΠΎΡΡΠΈ ΡΡΡΠ°Π½ΠΎΠ²ΠΊΠΈ. ΠΠ»Π°Π³ΠΎΠ΄Π°ΡΡ ΡΡΠ½ΠΊΡΠΈΠΈ ΠΏΠΎΡΡΠ°ΡΠΈΠ²Π½ΠΎΡΡΠΈ KeyFinder ΠΌΠΎΠΆΠ½ΠΎ ΡΠ°Π·ΠΌΠ΅ΡΡΠΈΡΡ Π½Π° Π»ΡΠ±ΠΎΠΌ USB-Π½Π°ΠΊΠΎΠΏΠΈΡΠ΅Π»Π΅ ΠΈΠ»ΠΈ Π°Π½Π°Π»ΠΎΠ³ΠΈΡΠ½ΠΎΠΌ Π½Π°ΠΊΠΎΠΏΠΈΡΠ΅Π»Π΅, ΡΡΠΎ ΠΏΠΎΠ·Π²ΠΎΠ»ΡΠ΅Ρ Π²Π°ΠΌ ΡΠ°Π±ΠΎΡΠ°ΡΡ Π½Π° Π»ΡΠ±ΠΎΠΌ ΠΊΠΎΠΌΠΏΡΡΡΠ΅ΡΠ΅, Π΄ΠΎΠΌΠ° ΠΈΠ»ΠΈ Π½Π° ΡΠ°Π±ΠΎΡΠ΅, Π±Π΅Π· Π½Π΅ΠΎΠ±Ρ ΠΎΠ΄ΠΈΠΌΠΎΡΡΠΈ Π²ΡΠΏΠΎΠ»Π½ΡΡΡ Π΄Π»ΠΈΡΠ΅Π»ΡΠ½ΡΡ ΠΎΠΏΠ΅ΡΠ°ΡΠΈΡ ΡΡΡΠ°Π½ΠΎΠ²ΠΊΠΈ.
ΠΠΎΠ»Π΅Π΅ ΡΠΎΠ³ΠΎ, ΡΡΠΎ ΠΎΠ·Π½Π°ΡΠ°Π΅Ρ ΠΎΡΡΡΡΡΡΠ²ΠΈΠ΅ Π΄ΠΎΠΏΠΎΠ»Π½ΠΈΡΠ΅Π»ΡΠ½ΡΡ Π·Π°ΠΏΠΈΡΠ΅ΠΉ Π² ΡΠ΅Π΅ΡΡΡΠ΅ Π² ΡΠΈΡΡΠ΅ΠΌΠ΅, Π² ΠΊΠΎΡΠΎΡΠΎΠΉ Π²Ρ ΠΈΡΠΏΠΎΠ»ΡΠ·ΡΠ΅ΡΠ΅ KeyFinder, Π° ΡΡΠΎ ΠΎΠ·Π½Π°ΡΠ°Π΅Ρ, ΡΡΠΎ Π²Ρ ΠΌΠΎΠΆΠ΅ΡΠ΅ ΠΏΡΠΎΡΡΠΎ ΡΠ΄Π°Π»ΠΈΡΡ Π΅Π΅, ΡΠ΄Π°Π»ΠΈΠ² ΡΠΎΠ΄Π΅ΡΠΆΠ°ΡΡΡ Π΅Π΅ ΠΏΠ°ΠΏΠΊΡ.
ΠΡΠΎΡΡΠΎΠΉ ΠΈ ΠΏΠΎΠ΄ΡΠΎΠ±Π½ΡΠΉ Π°Π½Π°Π»ΠΈΠ· Π·Π²ΡΠΊΠ°
ΠΡΠΈΠ»ΠΎΠΆΠ΅Π½ΠΈΠ΅ ΠΈΠΌΠ΅Π΅Ρ Π±Π°Π·ΠΎΠ²ΡΠΉ ΠΈ Π΄Π°Π»Π΅ΠΊΠΎ Π½Π΅ Π²ΠΏΠ΅ΡΠ°ΡΠ»ΡΡΡΠΈΠΉ ΠΈΠ½ΡΠ΅ΡΡΠ΅ΠΉΡ, Π½ΠΎ ΡΡΠΎ Π΄Π΅Π»Π°Π΅Ρ Π΅Π³ΠΎ Π²ΠΏΠΎΠ»Π½Π΅ Π΄ΠΎΡΡΡΠΏΠ½ΡΠΌ Π΄Π»Ρ Π²ΡΠ΅Ρ , Π½Π΅Π·Π°Π²ΠΈΡΠΈΠΌΠΎ ΠΎΡ ΡΡΠΎΠ²Π½Ρ ΠΎΠΏΡΡΠ° ΡΠ°Π±ΠΎΡΡ Ρ Π°Π½Π°Π»ΠΎΠ³ΠΈΡΠ½ΡΠΌ ΠΠ. ΠΠ½ΠΎ ΠΏΠΎΠ΄Π΄Π΅ΡΠΆΠΈΠ²Π°Π΅Ρ ΠΎΠΏΠ΅ΡΠ°ΡΠΈΠΈ ΠΏΠ΅ΡΠ΅ΡΠ°ΡΠΊΠΈΠ²Π°Π½ΠΈΡ, ΠΏΠΎΡΡΠΎΠΌΡ Π²ΡΠ΅, ΡΡΠΎ Π²Π°ΠΌ Π½ΡΠΆΠ½ΠΎ ΡΠ΄Π΅Π»Π°ΡΡ, ΡΡΠΎ ΠΏΠ΅ΡΠ΅ΡΠ°ΡΠΈΡΡ Π°ΡΠ΄ΠΈΠΎΡΠ°ΠΉΠ»Ρ, ΠΊΠΎΡΠΎΡΡΠ΅ Π²Ρ Ρ ΠΎΡΠΈΡΠ΅ ΠΏΡΠΎΠ°Π½Π°Π»ΠΈΠ·ΠΈΡΠΎΠ²Π°ΡΡ, Π² Π³Π»Π°Π²Π½ΠΎΠ΅ ΠΎΠΊΠ½ΠΎ KeyFinder, Π° Π·Π°ΡΠ΅ΠΌ Π½Π°ΠΆΠ°ΡΡ ΠΊΠ½ΠΎΠΏΠΊΡ Β«ΠΡΠΏΠΎΠ»Π½ΠΈΡΡ ΠΏΠ°ΠΊΠ΅ΡΠ½ΡΠΉ Π°Π½Π°Π»ΠΈΠ·Β». ΠΡΠ΅Π½ΠΊΠ° ΡΠΎΠ½Π°Π»ΡΠ½ΠΎΡΡΠΈ Π±ΡΠ΄Π΅Ρ ΠΎΡΠΎΠ±ΡΠ°ΠΆΠ°ΡΡΡΡ Π² ΡΡΠΎΠ»Π±ΡΠ΅ Β«ΠΠ±Π½Π°ΡΡΠΆΠ΅Π½Π½ΡΠΉ ΠΊΠ»ΡΡΒ»(Detected key) Π²ΠΌΠ΅ΡΡΠ΅ Ρ Π΄ΡΡΠ³ΠΎΠΉ ΠΈΠ½ΡΠΎΡΠΌΠ°ΡΠΈΠ΅ΠΉ ΠΎ Π²Π°ΡΠ΅ΠΉ ΠΏΠ΅ΡΠ½Π΅.
ΠΠΎΠ΄Π΄Π΅ΡΠΆΠΈΠ²Π°Π΅ΠΌΡΠ΅ ΡΠΎΡΠΌΠ°ΡΡ
KeyFinder ΡΠ°ΠΊΠΆΠ΅ ΠΈΠΌΠ΅Π΅Ρ ΡΡΠ½ΠΊΡΠΈΡ Β«ΠΠΎΠ΄ΡΠΎΠ±Π½ΡΠΉ Π°Π½Π°Π»ΠΈΠ·Β», ΠΊΠΎΡΠΎΡΠ°Ρ ΠΏΠΎΠ·Π²ΠΎΠ»ΡΠ΅Ρ Π²Π°ΠΌ ΠΏΠΎΠ»ΡΡΠΈΡΡ Π²ΠΈΠ·ΡΠ°Π»ΡΠ½ΠΎΠ΅ ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»Π΅Π½ΠΈΠ΅ ΡΠΎΠ½Π°Π»ΡΠ½ΠΎΡΡΠΈ Π²Π°ΡΠ΅ΠΉ ΠΏΠ΅ΡΠ½ΠΈ Π² Β«Π¦Π²Π΅ΡΠ°Ρ Ρ ΡΠΎΠΌΠ°ΡΠΎΠ³ΡΠ°ΠΌΠΌΡΒ», ΠΊΠΎΡΠΎΡΡΠ΅ Π²Ρ ΠΌΠΎΠΆΠ΅ΡΠ΅ Π²ΡΠ±ΡΠ°ΡΡ ΠΈΠ· ΡΠΏΠ΅ΡΠΈΠ°Π»ΡΠ½ΠΎΠ³ΠΎ ΠΌΠ΅Π½Ρ, Π° ΠΈΠΌΠ΅Π½Π½ΠΎ Β«IzoΒ», Β«MonoΒ», Β«PredΒ», Β«VBoyΒ» ΠΈ Β«HackΒ». Π£ΡΠΈΠ»ΠΈΡΠ° ΠΏΠΎΠ΄Π΄Π΅ΡΠΆΠΈΠ²Π°Π΅Ρ Π½Π΅ΡΠΊΠΎΠ»ΡΠΊΠΎ Π°ΡΠ΄ΠΈΠΎΡΠΎΡΠΌΠ°ΡΠΎΠ², Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ MP3, M4A, MP4, WMA, FLAC, AIF, AIFF ΠΈ WAV, Π° ΡΠ°ΠΊΠΆΠ΅ ΠΎΠ±Π΅ΡΠΏΠ΅ΡΠΈΠ²Π°Π΅Ρ ΠΏΠΎΠ΄Π΄Π΅ΡΠΆΠΊΡ Β«ΠΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΠ΅Π»ΡΡΠΊΠΈΡ ΠΊΠΎΠ΄ΠΎΠ² ΠΊΠ»Π°Π²ΠΈΡΒ».
ΠΡΠΈ ΠΆΠ΅Π»Π°Π½ΠΈΠΈ KeyFinder ΠΏΠΎΠ·Π²ΠΎΠ»ΡΠ΅Ρ Π½Π°ΡΡΡΠ°ΠΈΠ²Π°ΡΡ ΠΏΠ°ΡΠ°ΠΌΠ΅ΡΡΡ Π΅Π³ΠΎ ΡΠ°Π±ΠΎΡΡ. ΠΠ΄Π½Π°ΠΊΠΎ ΡΠ΅ΠΊΠΎΠΌΠ΅Π½Π΄ΡΠ΅ΡΡΡ ΠΈΠ·ΠΌΠ΅Π½ΡΡΡ ΠΈΡ ΡΠΎΠ»ΡΠΊΠΎ Π² ΡΠΎΠΌ ΡΠ»ΡΡΠ°Π΅, Π΅ΡΠ»ΠΈ Π²Ρ ΡΠΎΡΠ½ΠΎ Π·Π½Π°Π΅ΡΠ΅, ΡΡΠΎ Π΄Π΅Π»Π°Π΅ΡΠ΅, ΠΈΠ½Π°ΡΠ΅ Π²Ρ ΡΠΈΡΠΊΡΠ΅ΡΠ΅ ΠΏΠΎΠ²Π»ΠΈΡΡΡ Π½Π° ΠΈΡ ΡΠΎΡΠ½ΠΎΡΡΡ.
ΠΠΎΠ»Π΅Π·Π½ΡΠΉ ΠΈΠ½ΡΡΡΡΠΌΠ΅Π½Ρ ΠΎΠΏΡΠ΅Π΄Π΅Π»Π΅Π½ΠΈΡ ΡΠΎΠ½Π°Π»ΡΠ½ΠΎΡΡΠΈ
Song Key finder Find in what key a song was composed with our online music key Analyzer.
What key is this song in? Easily find the key of a song by extracting it from a MP3 (mp3 to key) or any other audio file thanks our Online Song Key Finder. Drop your audio file(s) in the song analyzer below and instantly get the Key in which a song was composed by magic. Detected Song Keys are 70-95% accurate depending on the selected option, and it’s even more if we consider that relative keys share the same key signature.
Hit «download» if you want that we inject the Key found into a custom Song Key Mp3tag (MP3 files only).
Note: if you want to find the tempo, use our BPM Finder to count Beats per minutes instead.
What is the key of a song?
Almost all songs and compositions have their key, which makes it a very important part of the music. The key of the song is, let’s say, a group of tones and chords that are tonally related, or compatible. That group is based on scales β major and minor, and playing it produces a very melodic sound. There are 12 major and 12 minor keys.
Also, a key has a central note β keynote, also known as the tonic note (or the root), which is the most prevalent note in the song (repeats a lot, and most parts usually start and end with it).
Naturally, a tonic chord is played based on a song key, and knowing those are very important for guitar, piano players or any musician.
Can a song have more than one key?
Yes, of course, and it’s not that uncommon. Although people tend to play and compose songs in as few keys as possible (changing too many keys can lead to disharmony and chaotic sound), having two or a few different keys is quite normal. Jazz music is a perfect example of songs having different keys. Improv and chaotic jazz songs can have fantastic key changes played by incredibly talented musicians, but some people canβt stand the sound of it.
Are there happy and sad keys?
There are happy and sad keys and they are related to the song scale. The major key is considered to be the happy one, while the minor key is the sad one. Of course, this is not always the case. A song can be performed in a minor key but with high bpm (beats per minute) plus some happy lyrics, like Happy by Pharrell Williams. It will be difficult to call that song sad.
But generally, throughout history, major for happy and minor for sad keys have been heavily used. I don’t know if this was conditioned by hundreds of years of this style or not, but listening to music in minor keys definitely results in sad, melancholy emotions.
How important is a song’s key if I’m going to be a musician or DJ?
The key of a song is one of the most crucial aspects of music. No wonder why classical composers had key names in titles of their compositions (Mozart’s Symphony No. 25 in G minor, for example). Although contemporary music is nothing alike classical music and simplicity is emphasized, that still doesnβt mean that you donβt have to know the basics of music theory.
By understanding keys and practicing them, your compositions will be much more fluent, harmonic, and generally better. If you are a musician, your solos, riffs and improvs will have more βmeaningβ and your playing technique will come easier. If a DJ, it will be way easier to create the perfect playlist just by knowing the keys, this is called harmonic mixing.
Use this song analyzer to find the key of a song and start practicing right now.
Tips to train yourself to recognize a song’s key by ear
If you possess a musical instrument, you can play some chords and songs in specific keys. Over time, you will start to recognize the key automatically. You can add more options, like using a microphone and creating audio data that you can listen to later.
In case you donβt own an instrument, there are many useful mobile apps and online sites that work as key finders such as our own above. This kind of a song analyzer will find the key of a song, find the pitch of a song, song scale, or anything you want. Find and analyze any audio like mp3 songs. Itβs a great tool to make your hearing perfect.
What is the relationship between BPM and key?
The key and tempo can be related, but not necessarily. For example, many DJs go for minor keys when dropping BPM (beats per minute), and vice-versa. And when you think about it, lower tempo music sounds much better with minor keys than major, It is known that minor keys are called βsadβ and major βhappyβ β lower beats go well with sad music, and higher beats go well with happy music.
But, the tempo is just a speed (rhythm) of a song, while the key is a combination of tones and notes that go well together. These two don’t need to go hand-in-hand and there are no rules for this, but somehow everyone prefers the aforementioned correlation.
How common is it for a note to be played outside of a key’s signature?
Very common. The world has a fantastic music history with millions of songs and compositions created so far. Many of those have βaccidentalsβ (notes that donβt belong to a specific key signature or scales) and thank God thatβs the case. Can you imagine if every song followed strict rules? There would be no improvisation, no creativity! We would have gotten bored with music.
Following a key is important as it provides a standard for a nice melody and avoids chaos. But being naughty from time to time is always a good thing.
Examples of songs that are «off key»
Many of the rappers and punk bands have this style, most notably Kanye West, Outkast, even Red Hot Chili Peppers.
Does the first chord define the key of a song?
Well, usually yes. The first and the last notes of the song typically describe the same key. If a song is in C, the first note or chord will probably be C. The last one may or may not be C, for key changes can occur during the song, but when continuing the C scale, the last note will most commonly be C as well. The notes in C key are comprised of C scale, and that will be the most common note in the song.
Can I write a song without a key?
In theory, it is possible to write a song without a key. Key means βtonalityβ, so theoretically you can compose a song without any tonality. Following the key is more or less a guideline, not a must. Creating a song without scales and just mixing notes can be done, but the results are not promising. When composing a song, you need as much help as possible to make it perfect, and using the key and scales is certainly a way of doing so. Some apps can help you with this as well. You can extract beats and notes from some mashups performed by some DJ in a live set, make the noise compatible, and voila you have a song. If you pull this out, you are a great musician.
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β’ ΠΠ΅Π½ΡΠΉΡΠ΅ Π²ΡΡΠΎΡΡ Π·Π²ΡΠΊΠ°: ΠΏΠ΅ΡΠ΅ΠΊΠ»Π°Π΄ΡΠ²Π°ΠΉΡΠ΅ ΠΌΡΠ·ΡΠΊΡ Π½Π° Π²ΡΠ±ΡΠ°Π½Π½ΡΡ Π²Π°ΠΌΠΈ ΡΠΎΠ½Π°Π»ΡΠ½ΠΎΡΡΡ
β’ Π£ΠΌΠ½ΡΠΉ ΠΌΠ΅ΡΡΠΎΠ½ΠΎΠΌ: Π°Π²ΡΠΎΠΌΠ°ΡΠΈΡΠ΅ΡΠΊΠΈ Π³Π΅Π½Π΅ΡΠΈΡΡΠ΅Ρ ΡΠΈΠ½Ρ
ΡΠΎΠ½ΠΈΠ·ΠΈΡΠΎΠ²Π°Π½Π½ΡΠ΅ ΠΌΠ΅ΡΡΠΎΠ½ΠΎΠΌΠ½ΡΠ΅ Π΄ΠΎΡΠΎΠΆΠΊΠΈ
β’ ΠΠ·ΠΌΠ΅Π½Π΅Π½ΠΈΠ΅ ΡΠΊΠΎΡΠΎΡΡΠΈ: ΡΡΠΊΠΎΡΠ΅Π½ΠΈΠ΅ ΠΈΠ»ΠΈ Π·Π°ΠΌΠ΅Π΄Π»Π΅Π½ΠΈΠ΅
β’ ΠΠΏΡΠ΅Π΄Π΅Π»Π΅Π½ΠΈΠ΅ Π°ΠΊΠΊΠΎΡΠ΄ΠΎΠ² ΠΠ (Π±Π΅ΡΠ°): ΠΈΠ³ΡΠ°ΠΉΡΠ΅ Ρ ΡΠΈΠ½Ρ
ΡΠΎΠ½ΠΈΠ·ΠΈΡΠΎΠ²Π°Π½Π½ΡΠΌΠΈ Π°ΠΊΠΊΠΎΡΠ΄Π°ΠΌΠΈ
β’ Π Π΅ΠΌΠΈΠΊΡ ΡΠ΄Π°ΡΠ½ΡΡ
, Π³ΠΈΡΠ°Ρ, Π±Π°ΡΠΎΠ²ΡΡ
ΠΏΠ°ΡΡΠΈΠΉ, ΡΠΎΡΡΠ΅ΠΏΠΈΠ°Π½ΠΎ ΠΈ Π΄ΡΡΠ³ΠΈΡ
ΠΈΠ½ΡΡΡΡΠΌΠ΅Π½ΡΠΎΠ²
β’ ΠΠ²ΠΎΠ΄Π½ΡΠΉ ΡΡΠ΅Ρ: ΡΡΡΠ°Π½ΠΎΠ²ΠΈΡΠ΅ ΠΏΠ΅ΡΠΈΠΎΠ΄ Π²Π²ΠΎΠ΄Π½ΠΎΠ³ΠΎ ΡΡΠ΅ΡΠ°, ΠΊΠΎΡΠΎΡΡΠΉ ΠΏΡΠ΅Π΄ΡΠ΅ΡΡΠ²ΡΠ΅Ρ Π²ΠΎΡΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ
β’ ΠΠ±ΡΠ΅Π·ΠΊΠ° ΠΈ Π·Π°ΡΠΈΠΊΠ»ΠΈΠ²Π°Π½ΠΈΠ΅ ΠΌΡΠ·ΡΠΊΠ°Π»ΡΠ½ΡΡ
ΠΏΠ°ΡΡΠΈΠΉ: ΡΠΏΡΠ°Π²Π»ΡΠΉΡΠ΅ ΠΈ Π²ΡΠ±ΠΈΡΠ°ΠΉΡΠ΅, ΠΊΠΎΠ³Π΄Π° ΠΌΡΠ·ΡΠΊΠ° Π½Π°ΡΠΈΠ½Π°Π΅ΡΡΡ ΠΈ Π·Π°ΠΊΠ°Π½ΡΠΈΠ²Π°Π΅ΡΡΡ
Π‘ΠΎΠ·Π΄Π°Π²Π°ΠΉΡΠ΅ ΡΡΠΌΠΏΠ»Ρ, ΠΌΡΡΠ°ΠΏΡ, ΡΠ΅ΠΌΠΈΠΊΡΡ ΠΈ ΠΌΠΈΠ½ΡΡΠΎΠ²ΠΊΠΈ Π½Π° ΠΎΡΠ½ΠΎΠ²Π΅ ΠΈΡΠΊΡΡΡΡΠ²Π΅Π½Π½ΠΎΠ³ΠΎ ΠΈΠ½ΡΠ΅Π»Π»Π΅ΠΊΡΠ° (ΠΠ). ΠΡΠ°ΠΊΡΠΈΠΊΡΠΉΡΠ΅ ΠΈ ΡΠΎΠ·Π΄Π°Π²Π°ΠΉΡΠ΅ ΠΌΡΠ·ΡΠΊΡ, ΠΊΠ°ΠΊ Π½ΠΈΠΊΠΎΠ³Π΄Π° ΡΠ°Π½ΡΡΠ΅!
Moises ΠΈΠ΄Π΅Π°Π»ΡΠ½ΠΎ ΠΏΠΎΠ΄Ρ
ΠΎΠ΄ΠΈΡ Π΄Π»Ρ:
β’ ΠΡΠΎΠ΄ΡΡΠ΅ΡΠΎΠ²
β’ Π‘ΡΡΠ΄Π΅Π½ΡΠΎΠ² ΠΈ ΠΏΡΠ΅ΠΏΠΎΠ΄Π°Π²Π°ΡΠ΅Π»Π΅ΠΉ ΠΌΡΠ·ΡΠΊΠΈ
β’ ΠΡΠ±ΠΈΡΠ΅Π»Π΅ΠΉ ΠΊΠ°ΡΠ°ΠΎΠΊΠ΅
β’ ΠΠΈΠ΄ΠΆΠ΅Π΅Π² ΠΈ ΠΌΡΠ·ΡΠΊΠ°Π»ΡΠ½ΡΡ
ΠΈΡΠΏΠΎΠ»Π½ΠΈΡΠ΅Π»Π΅ΠΉ
Π‘ Moises Π²Ρ ΠΌΠΎΠΆΠ΅ΡΠ΅ ΡΠΎΠ·Π΄Π°Π²Π°ΡΡ, ΠΏΡΠ°ΠΊΡΠΈΠΊΠΎΠ²Π°ΡΡ ΠΈ Π²ΡΡΡΡΠΏΠ°ΡΡ Π³Π΄Π΅ ΡΠ³ΠΎΠ΄Π½ΠΎ:
β’ Π‘ΠΎΠ²Π΅ΡΡΠ΅Π½ΡΡΠ²ΡΠΉΡΠ΅ ΡΠ²ΠΎΠ΅ ΠΌΠ°ΡΡΠ΅ΡΡΡΠ²ΠΎ Ρ ΡΡΠ΅ΠΊΠ°ΠΌΠΈ Π±Π΅Π· ΡΠ΄Π°ΡΠ½ΡΡ
, Π³ΠΈΡΠ°ΡΡ ΠΈ Π±Π°ΡΠ°.
β’ Π£Π΄Π°Π»ΡΠΉΡΠ΅ Π²ΠΎΠΊΠ°Π» ΠΈ ΡΠΎΠ·Π΄Π°Π²Π°ΠΉΡΠ΅ ΠΈΠ½ΡΡΡΡΠΌΠ΅Π½ΡΠ°Π»ΡΠ½ΡΡ ΠΌΡΠ·ΡΠΊΡ Π΄Π»Ρ ΠΊΠ°ΡΠ°ΠΎΠΊΠ΅.
β’ Π‘ΠΎΠ·Π΄Π°Π²Π°ΠΉΡΠ΅ ΡΠΎΠ±ΡΡΠ²Π΅Π½Π½ΡΠ΅ ΠΌΠΈΠ½ΡΡΠΎΠ²ΠΊΠΈ Π΄Π»Ρ Π»ΡΠ±ΡΡ
ΠΏΠ΅ΡΠ΅Π½ Ρ ΡΠΈΠ½Ρ
ΡΠΎΠ½ΠΈΠ·ΠΈΡΠΎΠ²Π°Π½Π½ΡΠΌΠΈ ΠΌΠ΅ΡΡΠΎΠ½ΠΎΠΌΠ½ΡΠΌΠΈ Π΄ΠΎΡΠΎΠΆΠΊΠ°ΠΌΠΈ.
β’ ΠΠ΅Π»Π°ΠΉΡΠ΅, ΡΠ΅ΠΌΠΈΠΊΡΠΈΡΡΠΉΡΠ΅ ΠΈ ΡΠΎΠ·Π΄Π°Π²Π°ΠΉΡΠ΅ ΠΌΡΡΠ°ΠΏΡ Ρ Π²ΡΡΠΎΠΊΠΎΠΊΠ°ΡΠ΅ΡΡΠ²Π΅Π½Π½ΡΠΌ Π·Π²ΡΠΊΠΎΠΌ Π² ΡΠΎΡΠΌΠ°ΡΠ΅ WAV.
ΠΠ΅ ΠΎΠ³ΡΠ°Π½ΠΈΡΠΈΠ²Π°ΠΉΡΠ΅ΡΡ ΡΠ΄Π°Π»Π΅Π½ΠΈΠ΅ΠΌ Π²ΠΎΠΊΠ°Π»Π° ΠΈ ΠΈΠ½ΡΡΡΡΠΌΠ΅Π½ΡΠΎΠ²:
β’ Π Π°Π·Π΄Π΅Π»ΡΠΉΡΠ΅ Π³ΠΎΠ»ΠΎΡ ΠΈ ΠΈΠ½ΡΡΡΡΠΌΠ΅Π½ΡΡ Π½Π° ΠΎΡΠ΄Π΅Π»ΡΠ½ΡΠ΅ Π΄ΠΎΡΠΎΠΆΠΊΠΈ (Π²ΠΎΠΊΠ°Π», ΡΠ΄Π°ΡΠ½ΡΠ΅, Π±Π°Ρ, ΡΠΎΡΡΠ΅ΠΏΠΈΠ°Π½ΠΎ ΠΈ Ρ.Π΄.).
β’ Π Π΅Π³ΡΠ»ΠΈΡΡΠΉΡΠ΅ Π³ΡΠΎΠΌΠΊΠΎΡΡΡ, ΠΌΠ΅Π½ΡΠΉΡΠ΅ Π²ΡΡΠΎΡΡ Π·Π²ΡΠΊΠ°, ΡΠ΅ΠΌΠΏ ΠΈ ΡΠΊΡΠΏΠΎΡΡΠΈΡΡΠΉΡΠ΅ ΡΠ²ΠΎΠΈ ΡΠΎΠ±ΡΡΠ²Π΅Π½Π½ΡΠ΅ Π΄ΠΎΡΠΎΠΆΠΊΠΈ Π²ΠΎΡΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ Ρ ΠΏΠΎΠΌΠΎΡΡΡ Π½Π°ΡΠ΅Π³ΠΎ ΠΌΠΈΠΊΡΠ΅ΡΠ°.
4 ΠΏΡΠΎΡΡΡΡ ΡΠ°Π³Π°, ΠΊΠ°ΠΊ ΡΠ°Π±ΠΎΡΠ°Π΅Ρ Moises:
1- ΠΠ°Π³ΡΡΠ·ΠΈΡΠ΅ ΠΏΠ΅ΡΠ½Ρ ΠΈΠ»ΠΈ ΠΈΠΌΠΏΠΎΡΡΠΈΡΡΠΉΡΠ΅ Ρ ΠΏΠΎΠΌΠΎΡΡΡ URL-Π°Π΄ΡΠ΅ΡΠ°
2- Π Π°Π·Π΄Π΅Π»ΠΈΡΠ΅ ΡΡΠ΅ΠΊΠΈ
3- ΠΡΠΏΠΎΠ»ΡΠ·ΡΠΉΡΠ΅ ΠΌΡΠ·ΡΠΊΠ°Π»ΡΠ½ΡΠΉ ΠΌΠΈΠΊΡΠ΅Ρ
4- Π‘ΠΊΠ°ΡΠ°ΠΉΡΠ΅ ΠΎΡΠ΄Π΅Π»ΡΠ½ΡΠ΅ ΡΡΠ΅ΠΊΠΈ ΠΈΠ»ΠΈ Π²Π΅ΡΡ ΠΌΠΈΠΊΡ
ΠΡ ΠΌΠΎΠΆΠ΅ΡΠ΅ ΠΈΠΌΠΏΠΎΡΡΠΈΡΠΎΠ²Π°ΡΡ ΡΠ°ΠΉΠ»Ρ ΡΠΎ ΡΠ²ΠΎΠ΅Π³ΠΎ Google ΠΠΈΡΠΊΠ°, Dropbox, iCloud ΠΈΠ»ΠΈ ΠΈΠΌΠΏΠΎΡΡΠΈΡΠΎΠ²Π°ΡΡ ΡΠ°ΠΉΠ»Ρ, Π²ΡΡΠ°Π²Π»ΡΡ Π»ΡΠ±ΡΠ΅ URL-Π°Π΄ΡΠ΅ΡΠ°. Π’Π°ΠΊΠΆΠ΅ ΠΌΠΎΠΆΠ½ΠΎ ΠΈΠΌΠΏΠΎΡΡΠΈΡΠΎΠ²Π°ΡΡ ΡΠ²ΠΎΠΈ ΠΌΠ΅ΡΡΠ½ΡΠ΅ ΠΏΠ΅ΡΠ½ΠΈ, ΠΏΡΠΈΠΎΠ±ΡΠ΅ΡΠ΅Π½Π½ΡΠ΅ Π² iTunes. ΠΠΎΠΏΡΡΡΠΈΠΌΡΠ΅ ΡΠΎΡΠΌΠ°ΡΡ:
ΠΡΠ΄ΠΈΠΎ:
β’ MP3, AAC3, AAC
β’ WAV, FLAC, AIFF (aif)
β’ OGG, WMA
ΠΠΈΠ΄Π΅ΠΎ:
β’ MP4, M4A, M4V, M4R
β’ MPEG (MPG), FLV
β’ MOV, MKV, WEBM
ΠΡ ΠΌΠΎΠΆΠ΅ΡΠ΅ ΡΠΊΠ°ΡΠ°ΡΡ ΡΠ°ΠΉΠ» Π² ΡΠΎΡΠΌΠ°ΡΠ΅ M4A ΠΈΠ»ΠΈ WAV (ΡΠΎΠ»ΡΠΊΠΎ Π΄Π»Ρ ΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΠ΅Π»Π΅ΠΉ Premium).
Π Π½Π°ΡΠΈΡ
ΠΏΠ»Π°Π½Π°Ρ
:
Π Π±Π΅ΡΠΏΠ»Π°ΡΠ½ΠΎΠΌ ΠΏΠ»Π°Π½Π΅ Π½Π΅ΠΊΠΎΡΠΎΡΡΠ΅ ΡΡΠ½ΠΊΡΠΈΠΈ ΠΎΠ³ΡΠ°Π½ΠΈΡΠ΅Π½Ρ. Π§ΡΠΎΠ±Ρ ΠΌΠ°ΠΊΡΠΈΠΌΠ°Π»ΡΠ½ΠΎ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΡ ΠΏΠΎΡΠ΅Π½ΡΠΈΠ°Π» Moises, ΠΏΠ΅ΡΠ΅ΠΉΠ΄ΠΈΡΠ΅ Π½Π° ΠΡΠ΅ΠΌΠΈΡΠΌ.
ΠΡΠ΅ΠΌΠΈΡΠΌ:
β’ ΠΠ΅ΠΎΠ³ΡΠ°Π½ΠΈΡΠ΅Π½Π½ΡΠ΅ Π·Π°Π³ΡΡΠ·ΠΊΠΈ
β’ ΠΡΠΎΠ΄ΠΎΠ»ΠΆΠΈΡΠ΅Π»ΡΠ½ΠΎΡΡΡ 20 ΠΌΠΈΠ½ΡΡ (Π½Π° ΡΠ°ΠΉΠ»)
β’ ΠΠΎΡΡΠΎΡΠ½Π½ΠΎΠ΅ Ρ
ΡΠ°Π½Π΅Π½ΠΈΠ΅ ΡΠ°ΠΉΠ»ΠΎΠ²
β’ ΠΠ°Π³ΡΡΠ·ΠΊΠ° WAV ΠΈ M4A
β’ Π Π°Π·Π΄Π΅Π»Π΅Π½ΠΈΠ΅ Π²ΡΠ΅Ρ
ΠΈΠ½ΡΡΡΡΠΌΠ΅Π½ΡΠΎΠ²
β’ ΠΡΡΡΡΠ°Ρ ΠΎΡΠ΅ΡΠ΅Π΄Ρ ΠΎΠ±ΡΠ°Π±ΠΎΡΠΊΠΈ
β’ Π Π°ΡΡΠΈΡΠ΅Π½Π½ΡΠ΅ Π½Π°ΡΡΡΠΎΠΉΠΊΠΈ
β’ ΠΠΈΠΊΡΠ΅Ρ
β’ Π£ΠΌΠ½ΡΠΉ ΠΌΠ΅ΡΡΠΎΠ½ΠΎΠΌ
β’ ΠΠ±Π½Π°ΡΡΠΆΠ΅Π½ΠΈΠ΅ Π°ΠΊΠΊΠΎΡΠ΄ΠΎΠ² (Π±Π΅ΡΠ°)
β’ Π’Π΅ΠΊΡΡΡ ΠΏΠ΅ΡΠ΅Π½ (ΡΠΊΠΎΡΠΎ)
β’ ΠΠ·ΠΌΠ΅Π½Π΅Π½ΠΈΠ΅ Π²ΡΡΠΎΡΡ Π·Π²ΡΠΊΠ°
β’ Π‘ΠΊΠΎΡΠΎΡΡΡ Π²ΠΎΡΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ
β’ ΠΠ²ΠΎΠ΄Π½ΡΠΉ ΡΡΠ΅Ρ Π΄ΠΎ 16 ΡΠ΄Π°ΡΠΎΠ²
β’ ΠΠ±ΡΠ΅Π·ΠΊΠ°
ΠΠ΅ΡΠΏΠ»Π°ΡΠ½ΡΠΉ ΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΠ΅Π»Ρ:
β’ 5 Π·Π°Π³ΡΡΠ·ΠΎΠΊ Π² ΠΌΠ΅ΡΡΡ
β’ ΠΡΠΎΠ΄ΠΎΠ»ΠΆΠΈΡΠ΅Π»ΡΠ½ΠΎΡΡΡ 5 ΠΌΠΈΠ½ΡΡ (Π½Π° ΡΠ°ΠΉΠ»)
β’ ΠΠ°Π³ΡΡΠ·ΠΊΠ° M4A 320Kps
β’ ΠΠ³ΡΠ°Π½ΠΈΡΠ΅Π½Π½ΠΎΠ΅ ΡΠ°Π·Π΄Π΅Π»Π΅Π½ΠΈΠ΅ ΠΈΠ½ΡΡΡΡΠΌΠ΅Π½ΡΠΎΠ²
β’ Π‘ΡΠ°Π½Π΄Π°ΡΡΠ½Π°Ρ ΠΎΡΠ΅ΡΠ΅Π΄Ρ ΠΎΠ±ΡΠ°Π±ΠΎΡΠΊΠΈ
β’ ΠΠΈΠΊΡΠ΅Ρ
β’ Π£ΠΌΠ½ΡΠΉ ΠΌΠ΅ΡΡΠΎΠ½ΠΎΠΌ (1 ΠΌΠΈΠ½.)
β’ Π Π°ΡΠΏΠΎΠ·Π½Π°Π²Π°Π½ΠΈΠ΅ Π°ΠΊΠΊΠΎΡΠ΄ΠΎΠ² (1 ΠΌΠΈΠ½.)
β’ Π’Π΅ΠΊΡΡΡ ΠΏΠ΅ΡΠ΅Π½ (ΡΠΊΠΎΡΠΎ)
β’ ΠΠ³ΡΠ°Π½ΠΈΡΠ΅Π½Π½ΠΎΠ΅ ΠΈΠ·ΠΌΠ΅Π½Π΅Π½ΠΈΠ΅ Π²ΡΡΠΎΡΡ Π·Π²ΡΠΊΠ°
β’ ΠΠ³ΡΠ°Π½ΠΈΡΠ΅Π½Π½Π°Ρ ΡΠΊΠΎΡΠΎΡΡΡ Π²ΠΎΡΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ
β’ ΠΠ²ΠΎΠ΄Π½ΡΠΉ ΡΡΠ΅Ρ ΠΎΠ³ΡΠ°Π½ΠΈΡΠ΅Π½ ΠΊΠΎΠ»ΠΈΡΠ΅ΡΡΠ²ΠΎΠΌ Π΄ΠΎ 4 ΡΠ΄Π°ΡΠΎΠ²
β’ ΠΠ±ΡΠ΅Π·ΠΊΠ°
ΠΠ°Π³ΡΡΠ·ΠΈΡΠ΅ ΠΏΡΠΈΠ»ΠΎΠΆΠ΅Π½ΠΈΠ΅ Moises ΠΈ ΡΠΎΠ·Π΄Π°Π²Π°ΠΉΡΠ΅ ΠΌΡΠ·ΡΠΊΡ, ΠΊΠ°ΠΊ Π½ΠΈΠΊΠΎΠ³Π΄Π° ΡΠ°Π½ΡΡΠ΅!
ΠΠΈΠ°ΠΏΠ°Π·ΠΎΠ½ Π³ΠΎΠ»ΠΎΡΠ° Vocal Range 4+
ΠΠΎΠΊΠ°Π»ΡΠ½ΡΠΉ Π΄ΠΈΠ°ΠΏΠ°Π·ΠΎΠ½ Π³ΠΎΠ»ΠΎΡβͺΠ°β¬
Sergey Malyugin
ΠΠ»Ρ iPad
Π‘Π½ΠΈΠΌΠΊΠΈ ΡΠΊΡΠ°Π½Π°
ΠΠΏΠΈΡΠ°Π½ΠΈΠ΅
Vocal Range ΠΏΠΎΠΌΠΎΠΆΠ΅Ρ ΠΎΠΏΡΠ΅Π΄Π΅Π»ΠΈΡΡ Π΄ΠΈΠ°ΠΏΠ°Π·ΠΎΠ½ ΠΠ°ΡΠ΅Π³ΠΎ Π³ΠΎΠ»ΠΎΡΠ° ΠΈ ΠΏΠΎΠ½ΡΡΡ ΠΊ ΠΊΠ°ΠΊΠΎΠΌΡ ΠΎΠ½ ΠΎΡΠ½ΠΎΡΠΈΡΡΡ ΡΠΈΠΏΡ.
ΠΠΎΠΊΠ°ΠΆΠ΅Ρ ΠΊΠΎΠ»ΠΈΡΠ΅ΡΡΠ²ΠΎ ΠΎΠΊΡΠ°Π² ΠΈ ΠΏΠΎΠ»ΡΡΠΎΠ½ΠΎΠ².
Π ΡΠ°ΠΊ ΠΆΠ΅ Π΄Π°ΡΡ ΠΏΡΠΎΡΠ»ΡΡΠ°ΡΡ ΠΏΠ΅ΡΠ½ΠΈ Π½Π°ΠΈΠ±ΠΎΠ»Π΅Π΅ Π±Π»ΠΈΠ·ΠΊΠΈΡ
ΠΊ ΠΠ°ΠΌ ΠΏΠΎ Π΄ΠΈΠ°ΠΏΠ°Π·ΠΎΠ½Ρ Π³ΠΎΠ»ΠΎΡΠ° ΠΈΠ·Π²Π΅ΡΡΠ½ΡΡ
ΠΏΠ΅Π²ΡΠΎΠ².
ΠΡ ΠΌΠΎΠΆΠ΅ΡΠ΅ ΡΠ°ΠΌΠΈ ΡΡΡΠ°Π½ΠΎΠ²ΠΈΡΡ Π² ΡΡΡΠ½ΡΡ Π»ΡΠ±ΡΠ΅ Π΄ΠΈΠ°ΠΏΠ°Π·ΠΎΠ½Ρ Π³ΠΎΠ»ΠΎΡΠΎΠ², ΠΏΠΎΡΠΌΠΎΡΡΠ΅ΡΡ ΠΈ ΠΏΠΎΡΠ»ΡΡΠ°ΡΡ, ΠΊΡΠΎ ΠΈΠ· ΠΏΠ΅Π²ΡΠΎΠ² Π² ΠΌΠΈΡΠ΅ ΠΎΠ±Π»Π°Π΄Π°Π΅Ρ ΡΠ°ΠΊΠΈΠΌΠΈ Π³ΠΎΠ»ΠΎΡΠ°ΠΌΠΈ.
Π§ΡΠΎ Π½ΠΎΠ²ΠΎΠ³ΠΎ
— Improved stability
— Fixed some small bugs
ΠΡΠ΅Π½ΠΊΠΈ ΠΈ ΠΎΡΠ·ΡΠ²Ρ
ΠΠ΄Π΅Ρ 👍🏻 ΡΠ΅Π°Π»ΠΈΠ·Π°ΡΠΈΡ 👎🏼 ΠΆΠ°Π΄ΠΈΠ½Ρ
ΠΠ΅ΠΏΠΎΠ½ΡΡΠ½ΠΎ Π·Π° ΡΡΠΎ ΠΈΠΌΠ΅Π½Π½ΠΎ Π²Ρ ΠΏΡΠΎΡΠΈΡΠ΅ Π΄Π΅Π½ΡΠ³ΠΈ? ΠΡΡ ΡΡΠ° ΠΈΠ½ΡΠΎΡΠΌΠ°ΡΠΈΡ Π³ΡΠ³Π»ΠΈΡΡΡ ΠΈΠ»ΠΈ Π΄Π°ΠΆΠ΅ ΠΎΠΏΡΠ΅Π΄Π΅Π»ΡΠ΅ΡΡΡ Π΄ΡΡΠ³ΠΈΠΌΠΈ ΡΠ΅ΡΠ²ΠΈΡΠ°ΠΌΠΈ. ΠΡΠΌΠ°Ρ ΠΌΡΠ·ΡΠΊΠ°Π½ΡΠ°ΠΌ ΠΈ Π»ΡΠ±ΠΈΡΠ΅Π»ΡΠΌ Π·Π°ΡΠ»ΠΎ Π±Ρ Π½Π° ΡΡΠ°, Π½ΠΎ Π² ΠΏΠΎΠ³ΠΎΠ½Π΅ Π·Π° Π΄Π»ΠΈΠ½Π½ΡΠΌ ΡΡΠ±Π»Π΅ΠΌ Π²Ρ Π΄ΠΎΠ»Π³ΠΎ Π±ΡΠ΄Π΅ΡΠ΅ ΠΆΠ΄Π°ΡΡ ΠΎΡΠΊΠ»ΠΈΠΊΠ°. ΠΠΎ ΠΈΠ½ΡΠ΅ΡΡΠ΅ΠΉΡΡ ΠΏΡΠΈΡΡΠ½ΠΎ, Π½ΠΎ Π·Π°ΠΌΠ΅ΡΠ½Ρ Π½Π΅Π²ΠΎΠΎΡΡΠΆΠ΅Π½Π½ΡΠΌ Π³Π»Π°Π·ΠΎΠΌ ΠΊΠΎΡΡΠΊΠΈ. ΠΠ°ΠΏΡΠΈΠΌΠ΅Ρ, Π½Π° Π²ΠΊΠ»Π°Π΄ΠΊΠ΅ Β«Π°Π½Π°Π»ΠΈΠ·Β» ΡΡΠΎΡΠΊΠ° ΠΏΠΎΠΈΡΠΊΠ° Π²ΠΎΠΎΠ±ΡΠ΅ Π½Π΅ Π·Π°ΠΊΡΡΠ²Π°Π΅ΡΡΡ, ΠΈΠ½ΡΠ΅ΡΡΠ΅ΠΉΡ ΠΏΠ»ΠΎΡ ΠΎ ΠΌΠ°ΡΡΡΠ°Π±ΠΈΡΡΠ΅ΡΡΡ.
ΠΠ° ΠΏΠΎΠΏΡΡΠΊΡ ΡΠΏΠ°ΡΠΈΠ±ΠΎ, Π½ΠΎ 🤷🏻♂️ ΡΠΌΡΡΠ»Π° ΠΏΠ»Π°ΡΠΈΡΡ Π½Π΅Ρ. ΠΠ° ΠΈ Π½Π΅ ΠΎΡΠΎΠ±ΠΎ Π·Π°ΡΠ°Π±ΠΎΡΠ°Π΅ΡΡ ΡΠΎ, Ρ ΡΠ°ΠΊΠΈΠΌ ΠΏΠΎΠ΄Ρ ΠΎΠ΄ΠΎΠΌ.
ΠΠΎΠ΄ΡΠΌΠ°ΠΉΡΠ΅ ΠΎ ΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΠ΅Π»ΡΡ ΠΈ ΠΌΡ ΡΠΎΠ±Π΅ΡΡΠΌΡΡ ΠΊ Π²Π°ΠΌ ΡΠΎΠ»ΠΏΠΎΠΉ Π·Π° ΡΠ΄ΠΎΠ±Π½ΡΠΌ[!] Π½ΠΎΠ²ΡΠΌ ΡΠ΅ΡΠ²ΠΈΡΠΎΠΌ.
ΠΡΡΠ½Π΄Π° ΠΊΠ°ΠΊΠ°Ρ-ΡΠΎ
ΠΠΎΡ Π² ΡΠ°ΠΉΠΎΠ½Π΅ D3, ΠΏΠΎΠΊΠ°Π·ΡΠ²Π°Π΅Ρ A5. ΠΠΎΡΡΠΎΡΠ½Π½ΠΎ ΠΌΠ΅Π½ΡΠ΅Ρ ΠΏΠΎΠΊΠ°Π·Π°Π½ΠΈΡ: ΡΠΎ Ρ ΡΠΎΠΏΡΠ°Π½ΠΎ, Π½ΠΎ ΠΌΠ΅ΡΡΠΎ, ΡΠΎ ΠΊΠΎΠ½ΡΡΠ°Π»ΡΡΠΎ.
ΠΡΠΎ ΡΡΡΠΎΡΠ½ΠΎΠ΅ ΠΏΡΠΈΠ»ΠΎΠΆΠ΅Π½ΠΈΠ΅, ΡΡΠΎ Π²Ρ Ρ ΠΎΡΠΈΡΠ΅ ΠΎΡ Π½Π΅Π³ΠΎ!
ΠΠΎΠ½ΡΠΈΠ΄Π΅Π½ΡΠΈΠ°Π»ΡΠ½ΠΎΡΡΡ ΠΏΡΠΈΠ»ΠΎΠΆΠ΅Π½ΠΈΡ
Π Π°Π·ΡΠ°Π±ΠΎΡΡΠΈΠΊ Sergey Malyugin Π½Π΅ ΡΠΎΠΎΠ±ΡΠΈΠ» Apple ΠΎ ΡΠ²ΠΎΠ΅ΠΉ ΠΏΠΎΠ»ΠΈΡΠΈΠΊΠ΅ ΠΊΠΎΠ½ΡΠΈΠ΄Π΅Π½ΡΠΈΠ°Π»ΡΠ½ΠΎΡΡΠΈ ΠΈ ΠΈΡΠΏΠΎΠ»ΡΠ·ΡΠ΅ΠΌΡΡ ΠΈΠΌ ΡΠΏΠΎΡΠΎΠ±Π°Ρ ΠΎΠ±ΡΠ°Π±ΠΎΡΠΊΠΈ Π΄Π°Π½Π½ΡΡ . ΠΠΎΠ΄ΡΠΎΠ±Π½ΡΠ΅ ΡΠ²Π΅Π΄Π΅Π½ΠΈΡ Π΄ΠΎΡΡΡΠΏΠ½Ρ Π² ΠΏΠΎΠ»ΠΈΡΠΈΠΊΠ΅ ΠΊΠΎΠ½ΡΠΈΠ΄Π΅Π½ΡΠΈΠ°Π»ΡΠ½ΠΎΡΡΠΈ ΡΠ°Π·ΡΠ°Π±ΠΎΡΡΠΈΠΊΠ°.
ΠΠ΅Ρ ΡΠ²Π΅Π΄Π΅Π½ΠΈΠΉ
Π Π°Π·ΡΠ°Π±ΠΎΡΡΠΈΠΊ Π±ΡΠ΄Π΅Ρ ΠΎΠ±ΡΠ·Π°Π½ ΠΏΡΠ΅Π΄ΠΎΡΡΠ°Π²ΠΈΡΡ ΡΠ²Π΅Π΄Π΅Π½ΠΈΡ ΠΎ ΠΊΠΎΠ½ΡΠΈΠ΄Π΅Π½ΡΠΈΠ°Π»ΡΠ½ΠΎΡΡΠΈ ΠΏΡΠΈ ΠΎΡΠΏΡΠ°Π²ΠΊΠ΅ ΡΠ»Π΅Π΄ΡΡΡΠ΅Π³ΠΎ ΠΎΠ±Π½ΠΎΠ²Π»Π΅Π½ΠΈΡ ΠΏΡΠΈΠ»ΠΎΠΆΠ΅Π½ΠΈΡ.
ΠΠ½ΡΠΎΡΠΌΠ°ΡΠΈΡ
ΡΡΡΡΠΊΠΈΠΉ, Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΈΠΉ, Π°ΡΠ°Π±ΡΠΊΠΈΠΉ, ΠΈΡΠΏΠ°Π½ΡΠΊΠΈΠΉ, ΠΈΡΠ°Π»ΡΡΠ½ΡΠΊΠΈΠΉ, ΠΊΠΎΡΠ΅ΠΉΡΠΊΠΈΠΉ, Π½Π΅ΠΌΠ΅ΡΠΊΠΈΠΉ, ΠΏΠΎΠ»ΡΡΠΊΠΈΠΉ, ΠΏΠΎΡΡΡΠ³Π°Π»ΡΡΠΊΠΈΠΉ, ΡΡΡΠ΅ΡΠΊΠΈΠΉ, ΡΠΏΡΠΎΡΠ΅Π½Π½ΡΠΉ ΠΊΠΈΡΠ°ΠΉΡΠΊΠΈΠΉ, ΡΡΠ°Π½ΡΡΠ·ΡΠΊΠΈΠΉ, ΡΠΏΠΎΠ½ΡΠΊΠΈΠΉ
ΠΠ°ΠΊ ΠΎΠΏΡΠ΅Π΄Π΅Π»ΠΈΡΡ ΡΠΎΠ½Π°Π»ΡΠ½ΠΎΡΡΡ.
Π Π΅ΡΡΡΡΡ ΠΏΠΎ ΠΎΠΏΡΠ΅Π΄Π΅Π»Π΅Π½ΠΈΡ ΡΠΎΠ½Π°Π»ΡΠ½ΠΎΡΡΠΈ.
Π£ Π²Π°Ρ Π΅ΡΡΡ ΡΡΠ΅ΠΊ, Π»ΠΈΠ±ΠΎ ΡΠ°ΡΡΡ ΡΡΠ΅ΠΊΠ°, Π»ΠΈΠ±ΠΎ Π²ΠΎΠΊΠ°Π»ΡΠ½Π°Ρ ΠΏΠ°ΡΡΠΈΡ, ΠΈ Π²Π°ΠΌ Π½ΡΠΆΠ½ΠΎ ΠΎΠΏΡΠ΅Π΄Π΅Π»ΠΈΡΡ ΠΈΡ ΡΠΎΠ½Π°Π»ΡΠ½ΠΎΡΡΡ? Π‘ΡΡΠ΅ΡΡΠ²ΡΡΡ Π½Π΅ΠΊΠΎΡΠΎΡΡΠ΅ ΡΠ΅ΡΡΡΡΡ, ΠΊΠΎΡΠΎΡΡΠ΅ Π΄ΠΎΡΡΠ°ΡΠΎΡΠ½ΠΎ ΡΠΎΡΠ½ΠΎ ΠΏΠΎΠ΄Π±ΠΈΡΠ°ΡΡ ΠΈΡ ΡΠΎΠ½Π°Π»ΡΠ½ΠΎΡΡΡ ΠΈ BPM (ΡΠΊΠΎΡΠΎΡΡΡ ΡΠ΅ΠΌΠΏΠ°).
Π Π΅ΡΡΡΡ, ΠΊΠΎΡΠΎΡΡΠΉ ΠΏΠΎΠΌΠΎΠΆΠ΅Ρ Π²Π°ΠΌ Π½Π°ΠΉΡΠΈ Π½ΠΎΡΡ Π² Π»ΡΠ±ΠΎΠΉ ΡΠΎΠ½Π°Π»ΡΠ½ΠΎΡΡΠΈ. Π’ΠΎΠ½Π°Π»ΡΠ½ΠΎΡΡΡ Π½Π°Π·Π²Π°Π½Π° Π² ΡΠ΅ΡΡΡ Π΅Π΅ ΠΏΠ΅ΡΠ²ΠΎΠΉ Π½ΠΎΡΡ. ΠΠ°ΠΏΡΠΈΠΌΠ΅Ρ, ΠΌΠ°ΠΆΠΎΡΠ½Π°Ρ ΡΠΎΠ½Π°Π»ΡΠ½ΠΎΡΡΡ, Π½Π°ΡΠΈΠ½Π°ΡΡΠ°ΡΡΡ Ρ Π½ΠΎΡΡ C («Π΄ΠΎ»), Π½Π°Ρ ΠΎΠ΄ΠΈΡΡΡ Π² ΡΠΎΠ½Π°Π»ΡΠ½ΠΎΡΡΠΈ C-major («Π΄ΠΎ-ΠΌΠ°ΠΆΠΎΡ»).
1. ΠΡΠ±ΠΈΡΠ°ΠΉΡΠ΅ Π² ΠΊΡΡΠΆΠΊΠ°Ρ Ρ Π±ΡΠΊΠ²Π°ΠΌΠΈ Π½Π°Π·Π²Π°Π½ΠΈΠ΅ Π²Π°ΡΠ΅ΠΉ ΡΠΎΠ½Π°Π»ΡΠ½ΠΎΡΡΠΈ.
2. Π£ΡΡΠ°Π½ΠΎΠ²ΠΈΡΠ΅ «major» Π»ΠΈΠ±ΠΎ «minor» Π΄Π»Ρ Π²Π°ΡΠ΅ΠΉ ΡΠΎΠ½Π°Π»ΡΠ½ΠΎΡΡΠΈ;
3. Π Π΅ΡΡΡΡ ΠΎΡΠΎΠ±ΡΠ°Π·ΠΈΡ ΠΊΠ°ΠΊΠΈΠ΅ Π½ΠΎΡΡ Π²Ρ ΠΎΠ΄ΡΡ Π² ΡΠΎΡΡΠ°Π² Π²ΡΠ±ΡΠ°Π½Π½ΠΎΠΉ Π²Π°ΠΌΠΈ ΡΠΎΠ½Π°Π»ΡΠ½ΠΎΡΡΠΈ.
ΠΠΎΠ»ΡΡΠ°Ρ Π±Π°Π·Π° ΡΠ°ΠΌΡΡ ΠΏΠΎΠΏΡΠ»ΡΡΠ½ΡΡ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ, ΡΡΠ΅Π΄ΠΈ ΠΊΠΎΡΠΎΡΠΎΠΉ, Π²Ρ, Π½Π°Π²Π΅ΡΠ½ΡΠΊΠ°, ΡΠΌΠΎΠΆΠ΅ΡΠ΅ Π½Π°ΠΉΡΠΈ ΠΏΠΎΠ΄Ρ ΠΎΠ΄ΡΡΡΡ Π²Π°ΠΌ.
Π Π°Π±ΠΎΡΠ°Π΅Ρ ΡΠΎΠ»ΡΠΊΠΎ Π΄Π»Ρ Π·Π°ΡΡΠ±Π΅ΠΆΠ½ΡΡ ΠΊΠΎΠΌΠΏΠΎΠ·ΠΈΡΠΈΠΉ.
ΠΡΠ»ΠΈ Ρ Π²Π°Ρ Π΅ΡΡΡ Π²ΠΎΠΊΠ°Π»ΡΠ½Π°Ρ ΠΏΠ°ΡΡΠΈΡ, Π»ΠΈΠ±ΠΎ Π»ΡΠΏ, ΡΠ΅ΠΌΠΏΠ», ΠΈ Ρ ΡΡΠΎΠ³ΠΎ ΡΠ°ΠΉΠ»Π° ΡΡΠ΅Π±ΡΠ΅ΡΡΡ ΠΎΠΏΡΠ΅Π΄Π΅Π»ΠΈΡΡ ΡΠΎΠ½Π°Π»ΡΠ½ΠΎΡΡΡ, ΡΠΎ Π΄Π°Π½Π½ΡΠΉ ΡΠ΅ΡΡΡΡ Π»Π΅Π³ΠΊΠΎ ΡΠΏΡΠ°Π²ΠΈΡΡΡ Ρ ΡΡΠΎΠΉ Π·Π°Π΄Π°ΡΠ΅ΠΉ.
ΠΡΠΎΡΡΠΎ ΠΏΠ΅ΡΠ΅ΡΠ°ΡΠΈΡΠ΅ Π»ΡΠ±ΠΎΠΉ ΠΈΠ· Π²Π°ΡΠΈΡ ΡΡΠ΅ΠΊΠΎΠ² Π² Π·ΠΎΠ½Ρ ΠΈ Π½Π°ΠΆΠΌΠΈΡΠ΅ ΠΊΠ½ΠΎΠΏΠΊΡ Β«ΠΠ°Π³ΡΡΠ·ΠΈΡΡ ΡΡΠ΅ΠΊΠΈΒ».
ΠΡΠΈΠΌΠ΅ΡΠ°Π½ΠΈΠ΅. Π Π½Π°ΡΡΠΎΡΡΠ΅Π΅ Π²ΡΠ΅ΠΌΡ ΠΌΡ ΠΏΠΎΠ΄Π΄Π΅ΡΠΆΠΈΠ²Π°Π΅ΠΌ ΡΠΎΠ»ΡΠΊΠΎ ΡΠ°ΠΉΠ»Ρ MP3 ΠΈ WAV Ρ ΠΎΠ³ΡΠ°Π½ΠΈΡΠ΅Π½ΠΈΠ΅ΠΌ ΡΠ°Π·ΠΌΠ΅ΡΠ° ΡΠ°ΠΉΠ»Π° 15 ΠΠ Π΄Π»Ρ ΠΊΠ°ΠΆΠ΄ΠΎΠΉ Π΄ΠΎΡΠΎΠΆΠΊΠΈ.
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